This article is part of a series examining the use of the swastika worldwide. With this project, we will once and for all demonstrate that the swastika is a world-wide symbol to which Neo-Nazis and other tribalists have no claim.
This page contains over 150 examples of swastikas throughout the history of China, Tibet, Japan, the Koreas, and Mongolia.* It is not an exhaustive attempt to collect every swastika known from these nations, but is intended to show how the swastika has been used for thousands of years in these regions.
The earliest known swastikas in this region are found in the Majiayao culture of China, around 2700-2350 BC. It's unclear if the swastika continued to be used immediately after the end of the Majiayao. Rock carvings of swastikas dating back to the late Bronze Age and early Iron Age (c. 1000-700 BC) are found in Tibet. These may have been influenced by diffusion of the swastika during the Vedic period of India, or perhaps transmitted through the same trade networks north of the Himalayas which had brought the swastika to the Majiayao a millennium prior. Beyond the Himalayas, the symbol appears again as a representation of a specific comet by 200 BC.
By the 400s AD, Buddhism had become a popular religion among Chinese royalty and commoners, likely re-popularizing the swastika. Over the next few hundred years, Buddhism spread to Korea, Japan, and Tibet, spreading the swastika—perhaps for the first time in some of these areas. Around 1000 AD, the Tibetan indigenous religion of Bon transformed into a form called Yungdrung Bon. Yungdrung means swastika, and swastikas are given numerous sacred meanings in Yungdrung Bon.
In the late 1200s AD, the Mongol Emperor and many of his subjects converted to Buddhism, spreading the swastika throughout Mongol culture, if it had not already been present. Forms of the swastika were used as part of the state seal, and the swastika continues to be used in official Mongolian state emblems to this day. In addition, during the Yuan dynasty period of Mongol rule in China, Nestorian Christians frequently used the swastika on metal emblems. It is unclear if this is a syncretic incorporation of the Buddhist swastika, or if the Nestorians were one of the many Christian groups to use the swastika as a variant of the Christian cross. The swastika's popularity in Mongolia was so high that even communists and anti-communists used it as an emblem in the 1920s.
Around the same time the swastika was becoming popular in Mongolia, in Japan we find evidence of the swastika becoming a clan emblem in a number of different forms. The swastika continues to be used as the official emblem of some cities as a legacy of these clans. In the Qing dynasty period of China, the swastika became a common symbol on rank badges worn by imperial officials.
In these cultures, the swastika also became a common ornament on clothing, architecture, and other items. It continues to be associated with Buddhism, Bon, Xiantiandao, Shinto, and other religions. In Japan, manji (swastika) even become a popular youth slang in the 2010s.
Throughout history, cultures, and religions, we find examples of right-facing, left-facing, and rotated swastikas. You now have the duty to correct people when they repeat the misconception that there is some universal difference based on a swastika's orientation.
* Although "East Asia" is a Eurocentric term, we unfortunately use it in this article for the sake of convenience.
If you have other examples of swastikas from these countries (especially of ancient swastikas), we encourage you to share on this article's discussion page:
https://aryan-anthropology.blogspot.com/2023/12/swastikas-in-east-asia-discussion-post.html
To return to the index of swastika articles, click here.
Table of Contents
- Swastikas in China
- Summary
- Majiayao culture
- Representation of a comet
- As a Buddhist symbol
- The swastika as a Nestorian Christian symbol
- As a symbol in other religions
- Chinese coins
- Geometric fret design with connected swastikas
- Shou character
- Chinese rank badges (mandarin squares)
- Other and general examples in China
- Swastikas in Taiwan
- Swastikas in Tibet
- Swastikas in Japan
- Swastikas in Korea
- Swastikas in Mongolia and Mongol culture
- Western prejudice against the swastika in China, Japan, Korea, and Mongolia
- Index of Names and Meanings of the Swastika
- Footnotes
Swastikas in China
Summary
The swastika first appears in China in the Majiayao culture, during the final period of the Chinese Neolithic and beginning of the Bronze Age. In particular, it is found frequently starting with the Banshan Phase of the Majiayao (~2700-2350 BC).
It's unclear exactly how widespread the swastika was within China between the early Bronze Age and beginning of the historic period. The swastika occurs frequently in rock art dating to the late Bronze Age and Iron Age in Tibet (beginning around 1000-700 BC[1]) and into the Zhangzhung Kingdom. A swastika-like comet is recorded in a manuscript dating to ~200 BC in the Hunan Province, marking the symbol's reappearance outside of the Himalayas.
With the popularization of Buddhism, the swastika likely became an established symbol throughout China, if it was not already. Buddhism first arrived in China by the 1st century AD. From the 300s-700s AD Buddhism began a strong rise in popularity, and notable converts included Emperor Yao Xing (who reigned from 391-416 AD) and Empress Wu Zetian (who reigned 690-705 AD). During this period, it is likely that the swastika began appearing on certain Chinese coins.
It is said that Empress Wu Zetian named the swastika wàn.[2] This is the same pronunciation as 万, meaning "ten thousand" and "infinity",[2][3] indicating the swastika was viewed as an auspicious object. Empress Wu Zetian also decreed the swastika as a symbol of the sun.[4]
In Tibet, the Bon religion uses the swastika as a sacred symbol. This dates back at least to the 10th-11th centuries AD when Yungdrung Bon formed. However, the swastika was used in various religious contexts in the Tibetan Iron Age, many of which continued into Yungdrung Bon, indicating it was likely an important symbol in pre-Yungdrung Bon forms of Bon.[1]
By the 700s AD, Nestorian Christians had arrived in China, and may have used the swastika as well. There are numerous Nestorian artifacts dating to the Yuan dynasty era (1200s-1300s AD) with swastikas. This could have been a syncretic incorporation of the Buddhist swastika cross, or could indicate eastern Christians also used the swastika as a variant of the Christian cross, just as those in Europe, Egypt, and Ethiopia had done from the beginning of Christianity into the Middle Ages.
The swastika is also used in other religions in China, such as Guiyidao, a branch of the Xiantiandao religion; Shanrendao, a Confucian-Taoist religion; and Falun Gong. Adherents of Guiyidao founded the Red Swastika Society, a charitable foundation, in the 1920s, as a swastika-based counterpart to the Red Cross Society.
In the 1930s, National Socialist Germany conducted an ethnological expedition to Tibet, in order to study the religions and cultures there which had used the swastika for thousands of years. A major goal was to study the possible origins of the "Aryan race", or at the very least, better understand the history and spread of the swastika.
Throughout Chinese history, the swastika has been incorporated into various designs, such as the 万字不到头 (wànzì bù dàotóu) fret pattern, stylized shòu characters, rank badges (mandarin squares) used by Qing dynasty officials, and various other examples.
Time and time again, we find right-facing, left-facing, and rotated swastikas.
Majiayao culture
The Majiayao culture was an early farming culture in the upper Yellow River basin during the end of the Neolithic era and early Bronze Age. They were the first culture in China known to use the swastika, and it became a common motif on pottery during the Banshan phase, dating to ~2700-2350 BC.[5]
For a more detailed collection of every Majiayao culture swastika I have come across, please see the following article on the world's oldest swastikas:
https://aryan-anthropology.blogspot.com/p/worlds-oldest-swastikas.html#Majiayao
A number of other ancient cultures in China have been claimed to use the swastika, but I have found no evidence.
https://aryan-anthropology.blogspot.com/p/worlds-oldest-swastikas.html#OtherAncientChinese
Representation of a comet
The manuscript entitled Divination by Astrological and Meteorological Phenomena (天文氣象雜占; Tiān Wén Qì Xiàng Zá Zhàn) was discovered in Tomb Number 3 of the Mawangdui tombs from the Western Han dynasty, located in Changsha, Hunan Province, China. According to the Hunan Provincial Museum, where the manuscript is kept, it may date prior to the fall of the Chu State in 223 BC.[6] There are 250 drawings of astronomical and meteorological phenomena, including 29 drawings of comets.[6] One of the comets was recorded to have a swastika-like shape.
Due to the drawing showing hard right angles and symmetry, we may assume the illustrator exaggerated the shape of the comet to intentionally make it appear like a swastika. (Unless there is an astronomical reason why a comet could produce four perfect right angles with four-fold symmetry). This suggests the swastika may have been a known symbol with specific connotations during the time the manuscript was written.
In the book Comet (1985), page 181-187, Carl Sagan and Ann Druyan discuss the possibility of a comet influencing world-wide use of the swastika, and briefly discuss the manuscript.[9] Even so, in an illustration they acknowledge a swastika-like comet would produce curved "arms" from rotation, rather than the sharp 90 degree angles with which the swastika is most commonly portrayed—including in the Chinese illustration.
"Under these circumstances it is arresting to find, in the culture with the longest tradition of careful observations of comets, a straightforward, apparently unambiguous description of a swastika as just another comet. Such is the case of the twenty-ninth and final comet to appear in the ancient silk atlas of cometary forms that was unearthed in a Han Dynasty tomb at Mawangdui, China (Chapter 2). It dates from the third or fourth century B.C., but is an anthology of observations that must be much older. The twenty-ninth comet is called "Di-Xing," "the long-tailed pheasant star." The caption is the lengthiest of all twenty-nine, because the swastika comet alone is subject to differing interpretations. This comet is associated with change. "Appearing in spring means good harvest, summer means drought, in autumn means flood, in winter means small battles." Of course, these auspices are fanciful, but the origin of the swastika in a cometary apparition now seems to us a real possibility. We wonder if the connection is drawn in other little-noticed artifacts of ancient cultures."
The authors also speculate on the date range when the comets may have first been recorded:[10]
"How long would it take to assemble a catalogue of 29 distinct cometary forms? With 338 separate sightings recorded over 3,000 years in the surviving Chinese annals, the average discovery rate is about one bright naked-eye comet a decade—not too far from current values. If each of the 29 forms appears equally often, you would have to wait 29x10=290 years to see them all. But some cometary forms are much rarer than others. Thus, if every form depicted corresponds to a different comet, the Mawangdui atlas must have drawn on an earlier continuous tradition of systematic observation which precedes it by many centuries, possibly millennia. Accordingly, this splendid tradition of recording cometary forms must date back to 1500 B.C. or earlier. The earliest written and earliest graphic representations of comets thus trace back to, or at least through, the same epoch. Perhaps there was an out-of-the-ordinary comet then that commanded their attention."
The appearance of a swastika-like comet could have repopularized the symbol in the late Bronze Age or early Iron Age, but the swastika had gradually been spreading throughout the Old World since at least 6000 BC.[11] It may be of interest to note that the swastika has been found alongside symbols of the sun and moon in Iron Age Tibet, however, it may just as well be a figurative symbol rather than a literal celestial object.[1]
As a Buddhist symbol
Buddhism arrived in China by the 1st century AD,[12] likely bringing the swastika with it.
Around 400 AD, the Buddhist monk Kumārajīva had converted Emperor Yao Xing, firmly establishing Buddhism's presence in China.
Both left-facing and right-facing swastikas have historically been associated with associated with Buddhism.
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In the 1890s, American museum curator Thomas Wilson received information about the swastika's use in Chinese history from the Chinese legation to the US.[13] Below are the examples which can reasonably be linked back to Buddhism.
For images, see our page with an abridged republication of Wilson's work:
https://aryan-anthropology.blogspot.com/p/thomas-wilson-swastika-earliest-known.html
"A Buddhist priest of the Tang Dynasty, Tao Shih by name, in a chapter of his work entitled Fa Yuen Chu Lin, on the original Buddha, describes him as having this 卍 mark on his breast and sitting on a high lily of innumerable petals."
Empress Wu Zetian (who reigned 690-705) was also a Buddhist. It is said that she decreed that swastika should be used as a sun symbol.
"Empress Wu (684-704 A.D.), of the Tang Dynasty, invented a number of new forms for characters already in existence, amongst which [left-facing swastika in a circle] was the word for sun, [Z in a circle] for moon, [circle] for star, and so on. These characters were once very extensively used in ornamental writing, and even now the word [left-facing swastika in a circle] sun may be found in many of the famous stone inscriptions of that age, which have been preserved to us up to the present day. [Pl. 2.]"
It is said that she named the swastika wàn.[2] This is the same pronunciation as 万, meaning "ten thousand" and "infinity".[2][3][13]
Buddhist convert Emperor Daizong of Tang issued a decree forbidding the use of the swastika on fabrics. This perhaps indicates the swastika was used as a common ornament by this time, but Emperor Daizong wanted to restrict mundane uses of the sacred symbol.
"The history of the Tang Dynasty (620-906 A. D.), by Lui Hsu and others of the Tsin Dynasty, records a decree issued by Emperor Tai Tsung (763-779 A. D.) forbidding the use of the Swastika on silk fabrics manufactured for any purpose."
The Southern Tang dynasty lasted from 937-976 AD, and its emperors appear to have been Buddhist.
"The Ts’ing-I-Luh, by Tao Kuh, of the Sung Dynasty, records that an Empress in the time of the South Tang Dynasty had an incense burner the external decoration of which had the Swastika design on it."
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The Mogao Caves are an important historic Buddhist site, which have been used as a religious site since the 300s AD. By 1000 AD, some of the caves had been sealed to protect various holy texts and valuable objects from being looted or destroyed in a period of warfare. These caves were rediscovered in 1900.
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If you want to dive in and try to catalog every potential Buddhist swastika in China, you can start here:
https://en.wikipedia.org/wiki/List_of_Buddhist_temples_in_the_People%27s_Republic_of_China
https://en.wikipedia.org/wiki/List_of_Buddhist_architecture_in_China
The swastika as a Nestorian Christian symbol
The Church of the East in China, or Nestorian Church, was part of a major branch of Eastern Christianity. In the 600s AD the church became established in China,[14] but it declined after 845 when Christianity was banned by Emperor Wuzong.[15] The Mongolian Yuan dynasty of China allowed the church to return in the 1200s, but it again declined by the rise of the Ming dynasty in the mid-1300s.[14]
Like early and Medieval Christians in Europe, Egypt, and Ethiopia, Nestorian Christians used the swastika as a variant of the cross. Alternatively, their use of the swastika may have been influenced by the popularity of Buddhism in the Yuan dynasty.
The University Museum and Art Gallery of The University of Hong Kong has a collection of Nestorian bronze ornaments which they attribute to the Yuan dynasty. The swastika is one of the most common symbols. The website lists the Collection Number HKU.B.1961.0243, but not the specific numbers of each of the dozen of artifacts photographed.
https://umag.hku.hk/collection/nestorian-crosses/
Below are all the artifacts with swastikas. There are some repeats in the photos.
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Many other examples of Nestorian artifacts with swastikas can be found in other museum collections, auctions, and websites.
Nestorian Cross, Yuan dynasty, late 13th century to early 14th century AD. In the collection of the Philadelphia Museum of Art. Accession Number 1972-111-17.
https://philamuseum.org/collection/object/67499
Collection of Nestorian Bronze Crosses, Yuan dynasty. Auctioned on the website iGavel Auctions, by user LarkMasonAssoc, April 30, 2014, New York, New York. Lot Number and ItemID 3389531.
https://bid.igavelauctions.com/Bidding.taf?_function=detail&Auction_uid1=3389531
Nestorian Cross, Yuan dynasty, 13th - 14th century AD. In the collection of The Museum of East Asian Art, Bath, UK. Record number BATEA : 279.
http://collections.meaa.org.uk/
Stamp seal with swastika. The museum labels the artifacts as "Ordos region 3rd/2nd millenium", but compare with the Nestorian designs. In the collection of The Museum of East Asian Art, Bath, UK. Record number BATEA : 1286.
http://collections.meaa.org.uk/
Bronze with swastika-like motif. In the collection of The Museum of East Asian Art, Bath, UK. Record number BATEA : 1189.
http://collections.meaa.org.uk/
Nestorian Crosses from the 12th-14th centuries AD. Exhibited in the Royal Ontario Museum, although I do not see the one with a swastika in their online collections. Photo by Flickr user mavra_chang, 2008.
https://www.flickr.com/photos/mavra_chang/2241297740/in/photostream/
Figure showing a Nestorian Cross, reposted on the website SlideShare.[16] Original source unknown.
https://image.slideserve.com/411454/nestorian-christianity-l.jpg
As a symbol in other religions
Guiyidao is a religion belonging to the Xiantiandao faith, founded in 1916. Xiantiandao can be traced back to the 1200s-1300s AD during the Yuan dynasty. (See also Xiantiandao's use of the swastika in Taiwan.)
In 1922, the religion founded the Red Swastika Society, which has a mission of philanthropic and charitable acts.[17][18]
The website "Medals of Asia"[18] has dozens of examples of Red Swastika Society badges and photos.
"The Red Swastika Society/世界紅卍字會 was a voluntary association founded in China in 1922 by Qian Nengxun/錢能訓, Du Bingyin/杜秉寅 and Li Jiabai/李佳白. Together with the organisation's president Li JianChiu/李建秋, they set up their establishment of the federation in Beijing as the philanthropic branch of the Chinese salvationist religion Guiyidao/皈依道, the "Way of the Return to the One". Association ran poorhouses and soup kitchens, as well as modern hospitals and other relief works. It had an explicit internationalist focus, extending relief efforts to Tokyo after earthquakes and also in response to natural disasters in the Soviet Union. In addition, it had offices in Paris, London, and Tokyo and professors of Esperanto within its membership .Reports of its strength during the 1920s and 1930s seem to vary widely, with citations of 30 000 "members" in 1927 to 7–10 million "followers" in 1937."[18]
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Shanrendao is a Confucian-Taoist religion centered in northeastern China. It uses swastikas in its iconography.
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Falun Gong is considered a cult with far-right political leanings, or spiritual cultivation method, depending on who you ask.
Its emblem features several swastikas.
Chinese coins
It is difficult to estimate an exact date for when the swastika appeared on ancient Chinese coins. I found examples of swastikas on the wu zhu coins, which were minted from 118 BC to 621 AD. Presumably the swastika was not used on coins until Buddhism became popular in China, around 400 AD.
"Auspicious symbols such as the swastika can also be found on wu zhu coins.
As mentioned, many of these coins with "numbers", characters and symbols were cast beginning in the Eastern Han Dynasty and continued until production of the wu zhu coin finally ceased near the end of the sixth century. This was a period of tremendous unrest and economic insecurity where official government coins as well as local and privately cast coins existed.
[...]
The wu zhu or wu shu (五 铢) coin was first cast in the fifth year (118 BC) of the Yuan Shou reign of Emperor Wu of the Western Han Dynasty (206 BC - 24 AD).
[...]
The "five zhu" or wu zhu coin replaced the ban liang coin. Huge quantities of wu zhu coins were produced during the Western Han Dynasty alone and wu zhu coins continued to be cast throughout the dynasties that followed until they were finally replaced by the kai yuan tong bao coin in 621 AD at the beginning of the Tang Dynasty. The wu zhu was used for over 700 years making it the longest used coin in Chinese history.
[...]
As already stated, beginning with the Eastern Han Dynasty and continuing until the Tang Dynasty, it is very difficult to identify where and when many wu zhu coins were cast. This is because coins at this time were cast in bronze molds and, since these molds would last a long time, they continued to be used over and over again by subsequent dynasties."[19]
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"Some of the lead coins from this period cannot as yet be attributed to a specific kingdom and ruler.
This is an example of such a lead coin that can only be attributed to the Southern Han Kingdom or Kingdom of Chu and which was most likely cast in the period 900-971.
The inscription reads wu zhu (五 铢) and the coin resembles the wu zhu coins of the Han and later dynasties.
The coin is distinctive because of the swastikas above and below the square hole.
The swastika, which can also be found on earlier wu zhu coins, is an ancient Chinese symbol and is believed to represent the Chinese character wan (万) meaning "ten-thousand". The extended meaning is "many".
The swastika is also an ancient Buddhist symbol and Buddhism was a major religion in China at the time this coin was cast."[20]
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"Liu Hai (刘海) is one of the most popular members of the Chinese pantheon of charm figures and represents prosperity and wealth. There are a couple of versions of the story which have come down through history.
Liu Hai and three legged toad charm
Liu Hai was a Minister of State during the 10th century in China. He was also a Taoist practitioner. One version of the story says that he became good friends with a three-legged toad who had the fabulous ability to whisk its owner to any destination. This particular toad had a love not only for water but also for gold. If the toad happened to escape down a well, Liu Hai could make him come out by means of a line baited with gold coins.
The second version of the story is that the toad actually lived in a deep pool and exuded a poisonous vapor which harmed the people. Liu Hai is said to have hooked this ugly and venous creature with gold coins and then destroyed it.
[...]
The inscription surrounding the circular hole reads jin yu man tang, chang ming fu gui (金玉满堂长命富贵) which translates as "may gold and jade fill your halls" and "longevity, wealth and honor".
The reverse side of this charm, shown here, displays Eight Treasures. Starting at the one o'clock position and moving clockwise are the swastika (meaning 10,000), rhinoceros horn, writing brush with silver ingot, coral, lozenge, yinyang mirror, ruyi sceptre, and pearl."[21]
Chinese numismatic charms originated around 2000 years ago in the Western Han dynasty, and are said to have remained common into the republic period in China.
Geometric fret design with connected swastikas
In Chinese design, there is a geometric pattern composed of swastikas called 万字不到头 (wànzì bù dàotóu). It is a geometric fret comprised of connected swastikas. It can be found as a lattice on railings and fences, windows, and furniture; as a carving in wood; and a two-dimensional design in paintings and fabric patterns.
This pattern presumably originates in China and later spread to Korea, Japan, Mongolia, and probably elsewhere. In Japanese it's called 紗綾形 / さやがた (sayagata), in Mongolian it's called түмэн наст (tumen nast), and I have not yet found what it's called in Korean.
An internet search for "万字不到头" shows that there are multiple different patterns that can fall under this name. The one below appears to be the most common configuration in Chinese and other cultures.
See also the Wikipedia entry:
https://zh.wikipedia.org/wiki/%E4%B8%87%E5%AD%97%E4%B8%8D%E5%88%B0%E5%A4%B4
https://commons.wikimedia.org/wiki/%E4%B8%87%E5%AD%97%E4%B8%8D%E5%88%B0%E5%A4%B4
This pattern is also visible on the picture frame of the portrait of Empress Dowager Cixi, shown in the following section. Additionally, it is visible on the Alexander and Baldwin Building in Honolulu, Hawaii, USA.
A holiday wrapping paper with this design was banned in certain US stores in 2014 due to ignorance. See the section on prejudice against the swastika.
Shou character
A few other examples of Chinese swastikas from 600 AD onward can be seen in Wilson (1898).[13]
I will draw particular attention to one example:
"Mr. Chung, dressed in his robes of state; his outer garment was of moiré silk. The pattern woven in the fabric consisted of a large circle with certain marks therein, prominent among which were two Swastikas, one turned to the right, the other to the left. The name given to the sign was reported above, wan, and the significance was "longevity," "long life," "many years.""
Mr. Chung may have been wearing a shòu (壽) character, which means longevity and is frequently stylized and used in Chinese motifs. Swastikas can be used to amplify the meaning of the character. A few examples of shòu motifs with two swastikas can be seen below.
Jones does not specify exactly which collection this example is from, but he almost gleefully recounts how the art in his book was looted:
"The late war in China, and the Ti-ping rebellion, by the destruction and sacking of many public buildings, has caused the introduction to Europe of a great number of truly magnificent works of Ornamental Art, of a character which had been rarely seen before that period, and which are remarkable, not only for the perfection and skill shown in the technical processes, but also for the beauty and harmony of the colouring, and general perfection of the ornamentation.
I have had the advantage of access to the National Collection at South Kensington and the unrivalled collection of Alfred Morrision, Esq., of Fonthill, who has secured the finest specimens from time to time, as they have appeared in this country. From the collection of Louis Huth, Esq., exhibited in South Kensington, and from many objects in the possession of M. Digby Wyatt, Esq., Col. De La Rue, Thomas Chappell, Esq., F. O. Ward, Esq., Messrs. Nixon and Rhodes, and others, the bulk of the compositions have been obtained. My thanks are especially due to Messrs. Durlacher and Mr. Wareham for the liberal loan of many objects, which I have been thus enabled to copy in the quiet of the studio."
See also the shòu characters used on the Alexander and Baldwin Building in Honolulu, Hawaii, USA:
https://aryan-anthropology.blogspot.com/p/swastikas-in-oceania-melanesia.html#ChineseCultureInHawaii
Chinese rank badges (mandarin squares)
Rank badges or mandarin squares were patches sewn onto the garments of imperial officials in China, indicating their rank. Many of these badges had swastikas and other auspicious symbolism.
Below are the examples of rank badges in the Cooper Hewitt museum which have swastikas.
Other and general examples in China
The following are the rest of the references to Chinese swastikas from Wilson (1898).[13]
"Fung Tse, of the Tang Dynasty, records a practice among the people of Loh-yang to endeavor, on the 7th of the 7th month of each year, to obtain spiders to weave the Swastika on their web. Kung Ping-Chung, of the Sung Dynasty, says that the people of Loh-yang believe it to be good luck to find the Swastika woven by spiders over fruits or melons."
*
"Sung Pai, of the Sung Dynasty, records an offering made to the Emperor by Li Yuen-su, a high official of the Tang Dynasty, of a buffalo with a Swastika on the forehead, in return for which offering he was given a horse by the Emperor."
*
"Chu I-Tsu, in his work entitled Ming Shih Tsung, says Wu Tsung-Chih, a learned man of Sin Shui, built a residence outside of the north gate of that town, which he named “Wan-Chai,” from the Swastika decoration of the railings about the exterior of the house."
*
"An anonymous work, entitled the Tung Hsi Yang K’ao, described a fruit called shan-tsao-tse (mountain or wild date), whose leaves resemble those of the plum. The seed resembles the lichee, and the fruit, which ripens in the ninth month of the year, suggests a resemblance to the Swastika."
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"The Swastika is one of the symbolic marks of the Chinese porcelain. Prime110[23] shows what he calls a “tablet of honor,” which represents a Swastika inclosed in a lozenge with loops at the corners (fig. 31). This mark on a piece of porcelain signifies that it is an imperial gift.
110 “Pottery and Porcelain,” p. 254."
*
"Major-General Gordon, controller of the Royal Arsenal at Woolwich, England, writes to Dr. Schliemann:111[24] “The Swastika is Chinese. On the breech chasing of a large gun lying outside my office, captured in the Taku fort, you will find this same sign.”
111 “Ilios,” p. 352."
*
"Mr. R. E. Martyr (letter of January 20, 1898) notifies of the occurrence of variations of the swastika occurring in Solo, a dialect of western Ssu-ch'uan, citing Baber's Travels in 1881; also a Journey in that country, by Mr. F. S. A. Bourne, Parliamentary Papers C. 5371/88, China No. 1, 1888."
(Above is referring to the Lolo (Yi) language of the Sichuan province.)
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On the Wikipedia page for swastika, without a source it claims:[25]
"The character wan can also be stylized in the form of the xiangyun, Chinese auspicious clouds."
This may be a reference to two images posted in this article: the rank badge in the Cooper Hewitt collection (Object ID 18426389) and the fabric in the collection of The Metropolitan Museum of Art (Accession Number 2011.221.32). These appear as examples on the Wikipedia page for xiangyun, even though the swastikas themselves are not being used as clouds.[26]
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The following are images of a Chinese medal with a swastika. A translation of the text is not provided. I wonder if it is associated with the Red Swastika Society; however, it appears that the swastikas on their medallions are actually red.
Description: "Medal of the Chinese Charities Federation, Republican era (1912-1949). Bought in flea market in Xining, China." Uploaded to Wikipedia by user Krokodyl, 2008.
https://commons.wikimedia.org/wiki/File:China_swastika.jpg
https://commons.wikimedia.org/wiki/File:Writing_detail,_China_swastika_(cropped).jpg
https://commons.wikimedia.org/wiki/File:China_swastika_(cropped).jpg
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The Old Summer Palace, located in Beijing, began construction in 1707. In 1744, the Qianlong Emperor commissioned a series of paintings titled Forty Scenes of the Yuanmingyuan, which show different views of the palace complex.
Painting 13 is entitled "Universal Peace Building (Swastika House)", showing a building in the shape of a swastika.
"This island was dominated by a building in the shape of a Chinese character meaning Buddha’s heart 卍. It is pronounced wan, and is a homophone with another wan meaning ten thousand, or everywhere. Western observers in later times termed it the Swastika House. Built on a stone and brick foundation and surrounded by water and backed by a hill, this complex was “cool in the summer and warm in the winter.” This was a favorite spot for evening strolls and watching the moon.""[27]
During the Second Opium War, French and British troops captured the palace on 6 October 1860, looting and destroying the imperial collections over the next few days.[4][5] As news emerged that an Anglo-French delegation had been imprisoned and tortured by the Qing government, with 19 delegation members being killed,[6] the British High Commissioner to China, James Bruce, 8th Earl of Elgin, retaliated by ordering the complete destruction of the palace on 18 October, which was then carried out by troops under his command.[5] The palace was so large – covering more than 3.5 square kilometres (860 acres) – that it took 4,000 men three days to destroy it.[7] Many exquisite artworks – sculptures, porcelain, jade, silk robes, elaborate textiles, gold objects and more – were looted and are now located in 47 museums around the world, according to UNESCO.[8]"[28]
(James Bruce's father had "acquired" the famous "Elgin Marbles" from the Parthenon in Greece. I guess it ran in his blood.)
***
***
Chapter 12 of the book On the Ancient History of the Silk Road (2021)[29] discusses the swastika in China, but I've been unable to find an available copy of this book.
Swastikas in Taiwan
As a Buddhist symbol
***
If you want to dive in and try to catalog every potential Buddhist swastika in Taiwan, you can start here:
https://en.wikipedia.org/wiki/Category:Buddhist_temples_in_Taiwan
As a Xiantiandao symbol
See also the section about the swastika in Xiantiandao in mainland China.
Other photos of the temple can be seen at the following link:
https://commons.wikimedia.org/wiki/Category:Chengyuan_Tang_Temple
Other and general examples in Taiwan
Other photos:
https://commons.wikimedia.org/wiki/Category:Xiangtianhu_bus_shelter
Swastikas in Tibet
Rock art in the Zhangzhung Kingdom and elsewhere in ancient Tibet
John Vincent Bellezza, an archaeologist specializing in ancient Tibetan history, has written a number of articles about swastikas in Tibetan petroglyphs from the late Bronze age, early Iron Age, and into the historic period.[1][30][31] Below are a few of the swastikas from his articles. In two online articles, he published 84 photos of swastikas used on Tibetan rock art spanning over thousands of years.[30][31] In total, he's documented over 300 ancient Tibetan swastikas,[30][1] primarily from the western regions of Changthang and Ladka.
This style of rock art first appears around 1000-700 BC, and is associated with the emergence of the Zhangzhung kingdom in the western Tibetan Plateau.[1] Zhangzhung had collapsed and was annexed into the Tibetan Empire in the 600s AD.
Left-facing, right-facing, and rotated swastikas can be seen.
After the Majiayao culture swastikas, these late Bronze Age and early Iron Age swastikas in Tibet are the oldest known swastikas in "East Asia".
***
"Over the course of the last two decades, I have documented close to 300 swastikas in Upper Tibet carved and painted on boulders, cliffs, ancient ruins, and in caves. This curious sign occurs at approximately 70% of the more than seventy rock art sites discovered in the region.
[...]
The Tibetan word for swastika, yungdrung (g.yung drung) is not derived from the Sanskrit (nor are words for the swastika in Mongolian, Chinese, Albanian, etc.). This term has a Bodic linguistic lineage. Among the earliest recorded uses of yungdrung occur in manuscripts and pillar inscriptions of Tibet’s Imperial period (circa 650–850 CE). There are several examples of the word yungdrung appearing in the pillar edicts and chronicles of the Tibetan kings, where it signifies stability and eternity.
[...]
In the extinct Zhang Zhung language of western Tibet, the word for swastika is drung mu, which is etymologically related to its Tibetan equivalent.
[...]
Thus far, the oldest archaeological evidence for the swastika in Tibet appears in the rock art record of the western third of the Plateau. My research shows that the swastika arose there as a sacred symbol no later than the Iron Age, laying the foundation for it becoming one of the most loved and popular symbols in the Tibetan world.
[...]
Rock art featuring the swastika, sun and moon can be dated to the Iron Age (700–100 BCE) and Protohistoric period (100 BCE to 600 CE).* The wide geographic and chronological range of this distinctive ensemble of celestial symbols suggests that it played an essential mythological/religious role in ancient Upper Tibet.
* Dates provided for rock art are estimates based on various criteria. On the dating of rock art in Upper Tibet and other western regions of the Tibetan Plateau, see various earlier works by the author, such as the August 2015 Flight of the Khyung."[30]
"Rock art swastikas in Upper Tibet face in both directions and range in execution from crudely scrawled to adeptly drawn. Relying on inductive means of chronological analysis, it appears that early examples date to the Late Bronze Age (1000–700 BCE) and Iron Age (ca. 700–100 BCE), and continued to be made in the Protohistoric period (ca. 100 BCE to 650 CE), Early Historic period (ca. 650–1000 CE) and Vestigial period (ca. 1000–1300 CE).5 Thus, painted and carved swastikas span a wide spectrum of time, ranging from the initial stages of Tibetan civilization to the time of the empire and finally to the termination of the great rock art tradition in Tibet in the early centuries of the second millennium CE.
I have documented close to 300 swastikas in Upper Tibetan rock art (petroglyphs and pictographs), making it the most common sign or symbol (an abstraction encapsulating philosophical, ritualistic mythic, or mystical forms of understanding). [...] Swastikas in the rock art of Upper Tibet, depending on the pictorial context, appear to have had diverse functions comprised of cosmological, fertility, apotropaic, benedictory, doctrinal, and sectarian elements.
[...]
In prehistoric rock art, swastikas were oriented indiscriminately in both directions and often with arms out of sync.
[...]
5. Due to a lack of archaeological indicators, no attempt has been made to differentiate the Late Bronze Age from the Early Iron Age. I have devised a relative chronology for Upper Tibetan rock art based on various strands of evidence, including cultural and historical analysis, stylistic and thematic categorization, general site characteristics, associative archaeological data, gauging environmental changes in subject matter, examination of techniques of production, placement of superimpositions, and assessment of erosion and re-patination of petroglyphs and browning and ablation of pictographs. Dates determined using this inductive approach are provisional and unverifiable, but must suffice until more objective means of chronological analysis become scientifically feasible. On dating Upper Tibetan rock art, see Bellezza 2008, pp. 162, 163; Bruneau and Bellezza 2013, pp. 6–9; Suolang Wangdui 1994, pp. 33, 34; Chayet 1994, pp. 55, 56."[1]
See Bellezza's articles for more:
https://www.tibetarchaeology.com/may-2016/
https://www.tibetarchaeology.com/june-2016/
As a Bon religion symbol
The Bon religion was a major religion in part of Tibet prior to the introduction of Buddhism, and since at least the 10th and 11th centuries AD it has been considerably influenced by Buddhism.[1] It is estimated to have around 400,000 followers today.[32]
Yungdrung (g.yung drung) is a word for swastika and is considered a sacred symbol in Bon. More specifically, the form of Bon practiced today is called Yungdrung Bon. Yungdrung Bon formed in the 10th and 11th centuries AD.[1] Earlier forms of Bon most likely used the swastika as well—the symbol has been used in Tibet since at least 1000-700 BC, frequently in conjunction with religious motifs which continued to be used in Yungdrung Bon.[1]
"As important as the swastika is to Buddhism, it has an even more vital role in the other major religion of Tibet: Bon. The swastika is the main epithet for that religion, which has called itself Yungdrung or the ‘Eternal’ Bon for a thousand years. According to the Bon tradition, g.yung drung means ‘unborn, undying’, and is synonymous with eternity, immutability and imperishability."[30]
"The counterclockwise swastika (g.yung drung) is the quintessential symbol of Yungdrung Bon, as well as an epithet for the religion itself. Numerous adherents, deities, sites, and temples are called swastika in Yungdrung Bon. The swastika is also a referent for many of its doctrines. For instance, religious heroes are called the ‘impeccable beings of the swastika’ (g.yung drung sems dpa’), the enlightened form is referred to as g.yung drung sku, and the path to liberation is the g.yung drung grub lam. The Yungdrung Bon expression for enduring good health and longevity is ‘swastika of life’ (tshe yi g.yung drung). The swastika is of course also a key symbol in Buddhism (oriented clockwise) and Tibetan folk religion (oriented in both directions).
[...]
The pairing of a swastika with a crescent moon strongly suggests that the former is a solar symbol. The swastika as betokening the sun is well known in numerous cultures of ancient Eurasia, and the same holds true of ancient Tibet. This is chronicled in the text Klu ’bum khra bo (probably first compiled in the 10th century CE), in a creation myth centered around a goddess named Queen of the Water Spirits (Klu’i rgyal mo).8 This pantheistic goddess fashioned the universe out of her body parts, and from the light rays of her left eye appeared the sun, called the ‘unsurpassable swastika’ (g.yung drung gyi bla na med pa).
8. For a translation and discussion of the entire myth, see Bellezza 2008, pp. 343–349."[1]
"The legacy of conception and design in Yungdrung Bon extends beyond the bounds of the extant religion to encompass earlier elements of figuration and symbolism. The oldest antecedents are seen in the rock art of Upper Tibet (Byang thang and Stod), the expansive highlands north and west of Central Tibet. This rock art is characterized by a wide array of prototypes of what would become prime Yungdrung Bon portrayals. This article focuses on five categories of these rock carvings and paintings, precursors to Yungdrung Bon subjects and emblems. The five categories include the swastika (g.yung drung) [...]"[1]
As a Buddhist symbol
In the 600s AD both Indian and Chinese variants of Buddhism gained influence in the Tibetan Empire under King Songtsän Gampo. According to legend, however, the earliest Buddhist teachings could have arrived in the 200s AD. Buddhism became a state religion by the late 700s AD.[31]
Although in many countries, Buddhists have tended to use left-facing swastikas, it appears that due to Bon's use of the left-facing swastika, many Buddhists in Tibet commonly use right-facing swastikas:
"In the period in which this rock art was made, [Early Historic period, c. 650-1000 AD] the orientation of swastikas took on sectarian overtones. The counterclockwise version came to be associated with bon and the clockwise variety with Buddhism, a sectarian distinction largely maintained to the present day."[1]
"As we saw in the first part of this article, Buddhists in Tibet have used the swastika as a doctrinal and mystical symbol since the Early Historic period. The Buddhist swastika, however, almost always faces in a clockwise direction. It appears therefore that the counterclockwise variety was propagated in contradistinction to Buddhism. This heralds the start of a sectarianism in Tibet graphically displayed in the orientation of swastikas. Swastikas carved and painted indiscriminately in either direction, the norm in the prehistoric epoch (although counterclockwise ones were most common), acquired directional connotations in the Early Historic period. The counterclockwise swastika as a key non-Buddhist religious symbol is extensively treated in the scriptures of Yungdrung Bon."[31]
1938-1939 National Socialist Tibet Expedition
In 1938-1939 National Socialist Germany conducted an expedition to Tibet. The dual purpose was to pursue closer diplomatic and military ties, as well as to conduct scientific and cultural studies to better understand Tibet's history. At the time, Tibet was considered to be a possible origin of the swastika and hence of the Aryan race.
This is one of many examples demonstrating how the National Socialist idea of the "Aryan race" was not synonymous with "whiteness" or "Nordicness".
Other and general examples in Tibet
"Although the swastikas and surrounding pictographs may have been made by different individuals, they form a thematically interrelated array. The mantra A’ Om hum was used regularly by non-Buddhists in Upper Tibet, as the epigraphic record indicates, in contrast to the Buddhist mantra Om A hum. Like swastikas that face in opposite directions, these alternative mantras highlight the interplay between religious exclusivity and religious borrowing.
It is likely that these symbols of a non-Buddhist group relate to religious traditions known as Dzokchen (Rdzogs chen), a philosophical and mind training school spanning the divides between Buddhism and bon and bon and Yungdrung Bon."[31]
***
Wilson (1898)[33] briefly described a few uses of the swastika in Tibet. He quotes William Woodville Rockhill Count Goblet d'Alviella.
In the late 1800s William Woodville Rockhill travelled through Tibet and made several observations of swastikas.
"Towards noon I went over to Kumbum to see the fair, and try to pick up some curios. I found there quite a number of Lh'asa Tibetans (they call them Gopa here) [...]
I had a talk with these traders, several of whom I had met here before in [18]89. They were very friendly and jolly. One of them had a swastika (yung-drung1) tatooed on his hand, and I learnt from this man that this was not an uncommon mode of ornamentation in his country. He said that he often sees at Lh'asa devotees (Atsara from India) with the three mystic syllables Om, A, Hūm, tattooed on their persons—the first on the crown of the head, the second on the forehead, the third on the sternum.
1. A hooked cross. It is a sacred symbol among the Buddhists and the Bönbo."[34]
Kumbum Monastery is located near Lusar, Huangzhong County, Qinghai Province, China.
*
"Tattooing as a means of ornamentation is hardly ever practiced by Tibetans. I have seen a few men from Lh'asa, or the adjacent countries, who had a "hooked cross" (yung-drung) tattooed on the back of their hands near the thumb, and some others with a round dot or two tattooed at the same place, but beyond this I have neither read nor heard of any tattooing among this people."[35]
*
"Like most Asiatics the Tibetans never sign their letters but seal them, nearly every one, even those who can not write, carrying a small seal (titsé) suspended from his girdle. These seals have on them a letter or a religious symbol surrounded by an ornamental design. They are cut in iron and are frequently of very delicate workmanship. In pl. 29, fig. 4, is shown a seal made in Dérgé; it is cylindrical, 2 and 1/8 inches long, terminates in a knob head, and is bored out, chased, and fretted. The design is a swastika or "hooked cross" in the center of a foliated motive."[36]
This seal is in the collections of the Smithsonian National Museum of Natural History, catalog number E131317-0. There is no photo, but you can search for its record below:
https://collections.nmnh.si.edu/search/anth/
Derge is located in Dêgê County, Garzê Tibetan Autonomous Prefecture, Sichuan Province, China.
***
See other photos:
Photo by Wikipedia user Dennis Jarvis, 2006.
https://commons.wikimedia.org/wiki/File:Yak_in_Tibet-2.jpg
https://www.flickr.com/photos/archer10/8285206775/
Photo by Wikipedia user Dennis Jarvis, 2006.
https://commons.wikimedia.org/wiki/File:Yak_in_Tibet-1.jpg
https://www.flickr.com/photos/archer10/2661318228/
Swastikas on fabrics worn by a yak at Khampa La Pass, near Yamdrok Lake. Photo by Wikipedia user Bgabel, 2010.
https://commons.wikimedia.org/wiki/File:TIB-khampa-la-yak.jpg
Swastikas in Japan
In Japanese, the swastika is called manji.
Buddhism arrived in Japan by the 500s AD. The swastika was likely introduced during this time, if it had not already arrived.
Today, the swastika remains a standard symbol of Buddhism in Japan, and is frequently seen on maps depicting Buddhist temples. The swastika is sometimes found at Shinto religion shrines as well.
Historically, forms of the swastika were often used in various clan emblems, called mon or kamon (紋). As a legacy, some Japanese cities use the swastika as their emblem today.
Throughout Japanese history, the swastika is also seen as an ornament in clothing an architecture, including in the form of the 紗綾形 / さやがた (sayagata) fret design, on the robes of theater performers, and various other examples. Manji even became a popular youth slang in the 2010s, showing the symbol remains popular in Japan despite the biases of Westerners.
As a Buddhist symbol
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Wilson (1898)[37] cites an example of a bronze Buddha statue with right-facing swastikas, from the collection of Henri Cernuschi, which is presumably now in the collection of the Musée Cernuschi.
***
If you want to dive in and try to catalog every potential Buddhist swastika in Japan, you can start here:
https://en.wikipedia.org/wiki/List_of_Buddhist_temples_in_Japan
As a symbol in Shinto
Shinto is considered an indigenous religion of Japan, and has been influenced by Buddhism and other teachings over its history.
As a personal, clan, and location emblem
Mon or kamon (紋) refers to a type of emblem for a clan or individual. Many clans throughout Japanese history used different types of swastikas.
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The Hachisuka clan formed in the 1300s AD. They ruled land in what is now Tokushima Prefecture.
Below, the banner on the left was used by Hachisuka Iemasa (1559-1638).
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Hasekura Tsunenaga (1571-1622) was a samurai who converted to Christianity in 1615 after serving several years as a diplomat to Spain and the Pope. He used a Western-style heraldry coat of arms with a swastika.
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The city of Hirosaki in Aomori Prefecture uses a red swastika on its flag. It is said it was used as an emblem of Tsugaru clan, rulers of the city during the Edo era.
Japanese-language Wikipedia lists a swastika as the family crest of the Tsugaru clan,[39] although that does not seem to be their main or most recent emblem, given that a different one is shown on their main Wikipedia page.
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The town of Numata, Hokkaido, also has a swastika emblem.
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As of writing this article, the Japanese-language Wikipedia page for family crests shows 4 with swastikas.[39]
A translation says that a left-facing swastika in a circle is used as:
"丸に卍(万字):阿波薬王寺紋、讃岐観音寺紋"
"Swastika in a circle (manji): Awa Yakuoji crest, Sanuki Kannonji crest"
That is Yakuo temple in Minami, Kaifu District, Tokushima Prefecture, and Kannonji temple in Kan'onji, Kagawa Prefecture.
The page links on Japanese-language Wikipedia show that the swastika-in-a-circle mon was also used by the Yokoyama clan.[40]
A rotated swastika elongated into a diamond is shown on the Japanese-language page for family crests,[39] but the specific clans which used it are not specified.[39][41]
There is another example of a diamond swastika, but it too does not appear to have any specific clans listed.[39][42]
***
The Japanese-language Wikipedia article for Shōryūji Castle shows a right-facing swastika as an emblem for Hachiya Yoritaka,[43][44] a defender of the castle in the battle of 1568.
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Wikipedia claims the following,[45] although it does not specify page numbers for its reference to 60 clans of the Tokugawa clan using the swastika. The Tsugaru and Hachisuka clans are examined above.
"Since the Middle Ages, it has been used as a mon by various Japanese families such as Tsugaru clan, Hachisuka clan or around 60 clans that belong to Tokugawa clan."[46]
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The Japanese-language Wikipedia page for vassals of the Satsuma clan (which existed from 1602 to 1871) shows a few which used swastikas for emblems.[47] I have not been able to find much more information on these families or clans.
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The following illustrations appear to be from a book titled 「我が家の家紋」 ("Our Family Crest"), which has 3720 examples of mon grouped by motif type. I can't find much more information about this book. The images are posted on the website for Morisige Corporation,[48] which appears to be an online marketplace selling various items. There is a copyright notice from 2003 in the page's source code, so presumably the book is from that date or prior.
There are 32 pages and page 27 and 28 have mon with swastikas. Mon 178-11 to 178-20 and 179-1 to 179-10 and 179-12 are swastikas. In total there are 21. Some of the mon have letters A-D next to them, and the meaning is unclear since any explanatory text is not included in the image source.
Look at that, right-facing, left-facing, and rotated swastikas. There is even a funky-looking circular cube with a swastika making up each face of the object.
***
Richard Hook illustrated several books of Japanese history. I have not been able to find which book the following illustration is from or determine how historically accurate it is.
In 21st century youth slang and pop culture
By 2016 the word manji became one of the most popular youth slangs in Japan. It has been used in a number of different ways, ranging from expressing excitement, sophistication, strength, a word to say while posing for a photo, hairstyles, and other things.
If you are familiar with Japanese pop culture, leave a comment on the discussion page to let us know if it remains common in the 2020s:
https://aryan-anthropology.blogspot.com/2023/12/swastikas-in-east-asia-discussion-post.html
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"Recently, manji — in the original left-facing swastika shape — has also become a popular slang term for young people in Japan. Nakagaki said that Japanese youth say “manji manji” instead of “cheese” before being photographed and have started to use it on social media[49] hewing to its original meaning. In 2016, according to Kotaku,[50] the manji was the No. 1 buzzword used by Japanese schoolgirls."[51]
Probably the most popular article about this topic in the English language was posted on Kotaku in 2018.[50] Older versions of the article had a series of photos.
"Now it’s something schoolgirls put in Instagram posts and tweets when showing off their latest hairstyles.
Manji, written as 卍 in Japanese, was voted the number one buzzword[53] among Japanese schoolgirls in 2016. Its use continues to grow, and this past fall, message service Line[52] released a video explaining the slang use, among other recent schoolgirl catchphrases.
In Japanese slang, manji now has an array of meanings. According to My Navi,[54] kids say it when they’re taking photos like the English word “cheese,” and it’s also used to refer to mischevious or excitable personality. As with the the original character, which can mean mercy or good fortune, its slang version has various definitions.
Other uses[55] include “to appear strong,” “high class,” a symbol of someone running (sometimes depicted with Final Fantasy’s Cactuar), and a pun on the Japanese word “maji” (まじ), meaning “seriously” or “really.” It’s even used as punctuation marks or to mean “yay.”
[...]
In the meantime, teens strike manji poses and draw the symbol all over sticker pictures, inadvertently reclaiming an ancient symbol, while being, presumably, remiss about what it means at home or even how it could be misconstrued abroad. This is a manji, after all."[50]
(As a sidenote, finally, an author gets it correct!)
"however, Japanese Buddhism uses both left and right-facing manji."[50]
***
The following article on Suki Desu[58] also examined the meaning of the slang, and gives a number of examples of the swastika used in Japanese pop culture, cartoons, and comics.
"Schoolgirl girls usually type the expression majimanji [マジ卍] which means the same thing as majiyabai, an exclamation point used to refer to something incredible, exciting, terrible or indescribable.
So whenever you find such a symbol present in some manga or anime dialogue, just come to the conclusion that it means the same thing as yabai or it means nothing.
[...]
We believe that the motif of the swastika will be used after maji, be it such a word is euphonic, it fits well in the text to highlight the messages and also has no real meaning like the ideograms."[58]
"anime and manga Tokyo Revengers you find a reference to the Nazi swastika in the name of the main gang of the anime called Tokyo Manjikai.
The gangue is nicknamed and abbreviated as touman [東卍] and the swastika are also often used decoratively to separate the title from the manga [東京卍リベンジャーズ].
[...]
The manji in the name of the gang will probably come from the name of the gang leader: Sano Manjirou. Toukyou Manji-kai can literally mean "Tokyo Swastika Association"."[58]
"The swastika in Bleach - Bankai"[58]
"Manji-Poosu - Swastika Pose
A passing fad in Japan is called manjipoosu [卍ポース] where the Japanese made a swastika can to take a picture or something.
[...]
That scene can be seen in the Kaguya-Sama anime where students do this pose to take a picture. There are different ways to do this pose, some use only the arms, others use the arms and legs."[58]
"Swastika being used as an Exclamation! 卍卍
On the Internet, swastika is also often used as an exclamation point at the end of sentences, being repeated three or more times.
Again the swastika gains the same meaning as yabai, referring to something exciting or exciting, making the surprised young man write his sentences using 3x the swastika 卍卍卍.
The number of swastikas doesn't matter much, it's usually typed in the same way as the laugh [wwwww]. Sometimes the swastika is used to contain a word in the middle like 卍whatever卍."[58]
"See some other occasions where swastika makes appearances in anime:
Yu Yu Hakusho's villain has a manji tattooed on his forehead.
In One Piece, a swastika was incorporated into the crest of the Whitebeard pirates.
In Naruto, the Caged Bird seal is a manji symbol in the manga, but the anime changed it to an "X".
In Rurouni Kenshin, there is a Yakuza-like faction called "Hishimanji" who use the swastika like the Nazis."[58]
The following article on "Japanese with Anime"[59] has a bunch of examples, and looks like it was a large part of the source material for the Suki Desu[58] article. There are a bunch of examples, including photos of gangs in the 1970s using the swastika as a logo.
"Lastly, there's Gira Gira Manji-kei ギラギラ卍系, "Dazzlingly Swastika Type," an album by the visual-kei band Gravity. Apparently, this is their self-introduction as some sort of dazzling manji-kei band."
There are various other examples of the swastika in comics, cartoons, video games, and other pop culture references.
A samurai named Manji is a character in the comic series Blade of the Immortal (1993-2012).
He even appeared as a secret character in a 2002 video game:
Manji made a cameo appearance in Way of the Samurai by Acquire(PS2, 2002). Way of the Samurai, known in Japan simply as Samurai(侍) is a PlayStation 2(PS2) action-adventure game. Manji is a Secret Character in Way of the Samurai."[60]
***
That's enough examples for now. Feel free to post more on the article's discussion post:
https://aryan-anthropology.blogspot.com/2023/12/swastikas-in-east-asia-discussion-post.html
Other and general examples in Japan
The sword guard below has a 紗綾形 / さやがた (sayagata) pattern of connected swastikas. This pattern likely originates from the Chinese 万字不到头 (wànzì bù dàotóu) pattern.
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Wilson (1898)[37] cites an example of the swastika used as a potter's mark on Japanese porcelain.
Swastikas in Korea
As a Buddhist symbol
In the 370s AD the Buddhist monks who arrived in northern Korea managed to convert King Sosurim of Goguryeo.[62] Throughout the 300s-500s AD, Buddhism became popular in the southern Korean kingdoms of Baekje and Silla as well. Buddhism likely brought the swastika to Korea, if it had not already been present.
If you do an internet image search, you can find numerous examples of swastikas used on Buddhist temples in Korea.
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***
If you want to dive in and try to catalog every potential Buddhist swastika in the Koreas, you can start here:
https://en.wikipedia.org/wiki/Buddhist_temples_in_Korea#Notable_temples_in_both_Koreas
https://en.wikipedia.org/wiki/List_of_Buddhist_temples_in_South_Korea
See also this 1919 atlas showing several Buddhist temples in Korea marked with swastikas:
https://commons.wikimedia.org/wiki/File:Pictorial_Chosen_and_Manchuria_(1919)_(14802229063).jpg
Other and general examples in Korea
Wilson (1898)[63] described an example of swastikas on a Korean chair.
It is in the collection of the Smithsonian National Museum of Natural History, catalog number E169034-0. Description:
"Carrying Or Sedan Chair; Palanquin "Kama; Sain'gyo". From the Gyeonggi Province. Acquired by the museum on February 23, 1894, purchased from the Korean Commission to the World Columbian Exposition."
The collections can be searched at the following link: https://collections.nmnh.si.edu/search/anth/
***
Swastikas in Mongolia and Mongol culture
As a Buddhist, Yuan dynasty, and state symbol
If the swastika had not arrived in Mongolia through cultural diffusion with China or Eurasian Steppe trade networks which existed since the Bronze Age, it would have arrived with the introduction of Buddhism to Mongolia.
Kublai Khan, grandson of Genghis Khan and founder of the Yuan dynasty which ruled China and Mongolia, became a Buddhist, and spread the religion throughout his empire. His reign lasted from 1264-1294 AD. Buddhism remains the largest religion in Mongolia.
It is said that the Mongolian word for swastika, хас (khas), derives from terminology referring to the Mongol state seal (khasbu).[64] Mongolian state use of the swastika continues to the present day, as it can be seen on the Mongolian state emblem and certain currency.
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The Yuan dynasty under Kublai Khan launched two attempts to invade Japan, in 1274 and 1281. A Japanese depiction of the invasion shows a ship of Mongols with swastikas painted on their shields.
***
In 1911 the Qing dynasty of China collapsed in revolution, leading to instability and de-evolution of power to regions within China. Mongolia took the opportunity to declare its independence, becoming a monarchy under Bogd Khan. His rule was opposed by both the Chinese government, who wished to reintegrate Mongolia, and the Mongolian communist movement supported by the newly-formed USSR.
Mongolia's history of Buddhism resulted in an unusual blend where both communists and anti-communists used the swastika in their symbolism. As one outsider observed, Mongolia was a "land of the swastika":
"The famous Polish writer, researcher, university professor and anti-communist politician Ferdinand Osendowski (1876 – 1945) published his first book in English: “Beasts, People, and Gods” after he arrived in New York in late 1921. The description of his epic adventurous journey during the civil war in Russia through Siberia and Mongolia, filled with dangers and narrow escapes, was an amazing success and a bestseller.
And here is what he wrote in his book: “…the mysterious land of the sign of the swastika; the land which has not forgotten the thoughts of the long deceased great potentates of Asia and a half of the Europe: that is Mongolia.”"[64]
In 1919, Chinese forces invaded Mongolia in an attempt to reintegrate it. Roman von Ungern-Sternberg was a Russian officer during WWI who later became an anti-communist based in the Russian Far East. He apparently had dreams of resurrecting the glory of the Mongol Empire, and in 1920 his forces came to Mongolia to fight against Chinese forces. By early 1921, he was successful at repelling them, and led a sadistic junta while Bogd Khan held nominal power.
In 1921 a communist revolution succeeded, leading to von Ungern-Sternberg's execution. After Bogd Khan's death in 1924 Mongolia was transformed into a fully communist nation, and it remained a single-party communist state until 1992, when it became democratic and the communist party changed ideology to "democratic socialism".
Roman von Ungern-Sternberg's troops allegedly wore swastikas as part of their emblem.
As did the communists:
A Red Army unit composed of members of the Kalmyk ethnic group (descendants of the Oirat group of Mongols who migrated to the Volga River in the 1600s) started using the swastika by 1919, but I do not know if they were involved in the battles in Mongolia:
Even Mongolian currency had swastikas, some of which were later circulated within the USSR.
"The Russian Provisional Government of 1917 printed a number of new bank notes with right-facing, diagonally rotated swastikas in their centres.[194] The banknote design was initially intended for the Mongolian national bank but was re-purposed for Russian ruble after the February revolution. Swastikas were depicted and on some Soviet credit cards (sovznaks) printed with clichés that were in circulation in 1918–1922.[195]
During the Russian Civil War, the swastika was present in the symbolism of the uniform of some units of the White Army Asiatic Cavalry Division of Baron Ungern in Siberia and Bogd Khanate of Mongolia, which is explained by the significant number of Buddhists within it.[196] The Red Army's ethnic Kalmyk units wore distinct armbands featuring the swastika with "РСФСР" (Roman: "RSFSR") inscriptions on them.[197]"[66]
Tuva, which was historically part of Outer Mongolia within the Qing dynasty of China, also declared independence in 1911. In 1921, after Chinese forces were expelled, it too became a communist state before being annexed into the USSR in 1944. It is said that an alternate version of its flag, used from 1921-1926, had a Buddhist dharma wheel with a swastika in the center.
***
Photo of Bogd Khan wearing clothing with the түмэн наст (tumen nast) pattern. He held the title of the 8th Jebtsundamba Khutuktu, which is the title of the head of the Gelug school of Tibetan Buddhism in Mongolia. Bogd Khan would also serve as the monarch of Mongolia from 1911 to 1924.
***
If you want to dive in and try to catalog every potential Buddhist swastika in Mongolia, you can start here:
https://en.wikipedia.org/wiki/List_of_Buddhist_temples_in_Mongolia
Other and general examples in Mongolia
***
Meanwhile, Mongolian musician Amarmandakh Sukhbaatar was beaten into a coma by a Russian for wearing a robe with swastikas in 2016.[67] (See our section on Western prejudice against the swastika for an excerpt of the article.)
***
***
Not all uses of the swastika are very noble, it seems...
***
Youtuber heimatschutz uploaded a video in 2015 showing several examples of swastikas in Mongolia.
These include the Government Palace (State Palace) in Ulaanbaatar, fences, figurines, branding irons, clothing, brick walls, rugs, paintings, garments on Buddha figurines, window lattices, museum artifacts, and more.
heimatschutz. (May 24, 2015). SWASTIKA in Mongolia # Hakenkreuze in der Mongolei.
https://www.youtube.com/watch?v=lPEPbUU8LDY
***
In the pop culture of Western and non-Western nations, National Socialist fashion has been used in a wide variety of contexts, from humor to horror.
It seems Mongolian media is no exception.
Here is a screenshot from the band Анхаа's music video for the song "Гөлөг" (Puppy). I can't find much more information on them, other than the fact that this Youtube video was uploaded in 2010.
Western prejudice against the swastika in China, Japan, Korea, and Mongolia
Nothing gets me fired up like social injustice.
The swastika has been used for at least 4,700 years in eastern Asia with a variety of meanings, many of them sacred. Despite this long history, many from Western countries are demanding that Japanese, Chinese, and other cultures stop using the swastika. Why? Because of 12 years of history in Europe, they think they have the authority to determine what the entire world must think of the swastika and whether anyone at all can use it.
What hubris! Let's ridicule them and those who cave to their unjust demands. Now that you've read this page, you have a duty to oppose these prejudices whenever you encounter them.
Most of these are just from Wikipedia's list. I'm sure there are plenty more examples.
***
"When a ten-year-old boy in Lynbrook, New York, bought a set of Pokémon cards imported from Japan in 1999, two of the cards contained the left-facing Buddhist swastika. The boy's parents misinterpreted the symbol as the right-facing Nazi swastika and filed a complaint to the manufacturer. Nintendo of America announced that the cards would be discontinued, explaining that what was acceptable in one culture was not necessarily so in another; their action was welcomed by the Anti-Defamation League who recognised that there was no intention to offend, but said that international commerce meant that "Isolating [the Swastika] in Asia would just create more problems."[87]"[68]
"Isolating the swastika in Asia"? The swastika is literally used on every continent! From North and South America, to Africa, to all of Asia, and every European country until it was banned in many of them. What utter bigotry, trying to remove the symbol even after admitting "there was no intention to offend"!
***
"Tiny, cheerful pandas sporting what appears to be a Nazi symbol are not what you'd expect to find in a festive Christmas cracker.
But some people in northern Alberta and Toronto found exactly that when they pulled apart their holiday poppers.
[...]
Martin Walpert, president of Montreal-based Walpert Industries, said the symbol is not what it appears to be.
"It's not the Nazi symbol. It is a Buddhist sign. The Nazi symbol goes in the opposite direction and it's at a different angle," said Walpert.
"That's not what people see but that's what it is," he said.
Walpert said his company ordered only plain pandas for the crackers from the manufacturer in China.
He said they ran out of the plain ones and filled the rest of the order with the pandas featuring the symbol.
Because the symbol is viewed very differently in China than it is in the Western world, the workers wouldn't have foreseen that a symbol of luck and prosperity would be mistaken for a symbol of hate.
Walpert personally called some of the people who received the bears sporting the symbol to apologize.
Walpert said he hoped only 10 or so of the swastika bears made it into the order. He said the company's quality control measures will be even more stringent in the future.
"So that things don't happen such as you get some sort of a religious symbol inside the cracker that shouldn't be there," he said.
The swastika, both the clockwise and counter-clockwise versions, is an ancient symbol, appearing in many religions around the world.
[...]
Web sites devoted to the symbol show diverse examples of pre-Nazi uses of the symbol, such as a "lucky" Coca-Cola watch fob from 1925 in the shape of a swastika and a 1916 girls' hockey team called the Edmonton Swastikas."[69]
The company's response and the fact that the article not only acknowledges the swastika's history around the globe (including Canada), but also mentions that both orientations of the swastika have been used since ancient times, is much less ignorant than most responses. I guess people really were less prejudiced in 2002. Of course, Walpert repeated the misconception that the Buddhist swastika only exists in a single direction and can not be rotated. There are examples on this page showing it in both clockwise and counterclockwise orientations, as well as rotated.
***
"Online retailer Shein has once again apologized for one of its product listings. The site pulled an item labeled "swastika pendant necklace" from its website after being slammed on social media for promoting anti-Semitism before issuing an apology Friday, stating that the listing was meant to portray a Buddhist swastika.
"We made a gigantic mistake by selling a product that's hurtful and offensive to so many of you, and we're so, so sorry," the site wrote on Instagram. "There's simply no excuse for our lack of sensitivity in doing so."
"The Buddhist symbol has stood for spirituality and good fortune for more than a thousand years, and has a different design than the Nazi swastika which stands for hate — but frankly, that doesn't matter because we should've been more considerate of the symbol's hurtful connotations to so many people around the world, and we didn't," the site continued.
[...]
"This is ACTIVELY THREATENING to the Jewish community," one user tweeted. "Do NOT let Shein get away with this."
"STOP SHOPPING AT SHEIN," another tweeted. "Not only do they use child labor and fast fashion, they are literally selling a SWASTIKA NECKLACE. Please speak up about this.""[70]
The real "lack of sensitivity" is pulling a symbol used by the world's 3rd and 4th largest religions due to the "backlash" of a tiny handful of ignorant imbeciles on social media! Shein was founded in China and is now headquartered in Singapore, so shame on them for selling out to Western prejudices.
At least someone stood up to the bigots:
"Popular influencer Nabela Noor also wrote on Instagram that she was "so disgusted by @sheinofficial's sheer ignorance and blatant disrespect towards other cultures and religions."
"I am contacting the Head of Brand today and bringing this to his attention," she said."[70]
***
Seriously... Bigots are demanding that Buddhism stop using the swastika? What a joke. (While this article focuses on the Japanese government's response, I have seen many average English-speakers who've demanded the same thing whenever they see pictures of similar maps.)
"Japan to drop the swastika from its tourist maps
The symbol, used in Japan to denote Buddhist temples, has been deemed confusing and will be replaced by a pagoda
[...]
Japan is to drop the use of the swastika and other confusing symbols on maps for foreign tourists following complaints that they are offensive or hard to understand.
With Japan due to host the Rugby World Cup and the summer Olympics in the next four years, the country’s Geospatial Information Authority has released a new set of pictograms it believes will clear up any misunderstandings among overseas visitors.
The chief culprit is a symbol closely resembling Nazi Germany’s swastika, which is used to indicate a Buddhist temple. The swastika will be replaced with a three-storey pagoda symbol when the new designs are unveiled at the end of March.
[...]
“Japan needs to create an environment where foreign visitors can easily use transport and find accommodation,” the GSI said in a report quoted in the Japan Times. “For that purpose, it is especially important to disseminate multilingual maps that are easy for foreigners to understand.”
[...]
The decision to replace the swastika came after the GSI polled more than 1,000 people from 92 countries, including tourists, embassy officials and exchange students, about the clarity of 18 symbols commonly used on maps.
Despite the swastika’s origins in the ancient language of Sanskrit and its centuries-old association with Japanese Buddhism, the GSI found that many tourists still associated it with the Nazis.
[...]
The changes will not apply to Japanese-language maps, and there is no suggestion that the temples themselves should remove manji from their premises."[71]
How about teaching the ignorant foreigners about your culture instead of just accommodating their unjust prejudices? I'm not the only one with that thought:
"The decision to ditch the swastika drew criticism on Japanese social media, with some arguing that it should be retained, and that tourists educate themselves about its centuries-old connection to Buddhism.
One Twitter user blamed the change on “ignorant” foreigners, while another wondered if Britain would contemplate ditching the Union Jack because it happened to be displayed by a terrorist.
A tweeter based in Scotland agreed: “It is sad that Japan feel the need to censor the swastika for tourism when it had much nobler connotations pre-Nazism.”
The GSI conceded that the revamp was not to everyone’s liking. “Japanese users are divided in their opinions on the new symbols,” Takayuki Nakamura, a GSI official, told the Japan Times."[71]
There's nothing wrong with changing map symbols to improve their clarity. But changing them for the purpose of accommodating prejudice in order get more tourist money is just utterly wrong. Even many Westerners know about the swastika's association with Buddhism (given how often I find people repeating misconceptions about the Buddhist swastika whenever the topic of swastikas is brought up!) The swastika is used in a religious context by literally billions of people in multiple religions. Surely it's more prudent to correct the misconceptions of a handful of people who think that Japan's geospatial agency practices National Socialism than to erase the Buddhist swastika from thousands of maps?
"“[The swastika] is unredeemable because not only is it linked so indelibly to the Nazi crimes, it is still worshiped by the neo-Nazi ‘haters,’” Steven Heller, a co-chair of the MFA Design Department at the School of Visual Arts and the author of The Swastika: Symbol Beyond Redemption?, told me. “It is not a national symbol but it is a weaponized symbol of racism and anti-Semitism.”
It is unclear what progress has been made to remove the swastika from non-Japanese language maps. But the issue still raises questions about the difficulty of cultural translation. T.K. Nakagaki, a Buddhist priest and interfaith leader in New York, would rather the Japanese government take the time to educate foreigners than dispel the symbol entirely. When we met last week, he smiled when I told him about my inclination to hide my copy of his most recent book, The Buddhist Swastika and Hitler’s Cross: Rescuing a Symbol of Peace from the Forces of Hate, which bears two swastikas (the original and the Nazi version) on its cover.
[...]
But he thinks the symbol retains its original meaning. “Gold is always gold,” Nakagaki told me. “It may be that this symbol looks very dark and no good from the outside. But if you just clean up the dust, it is still gold. You can't change it.”
[...]
In 2009, Nakagaki, serving as the vice chair of the Interfaith Center in New York, gathered with more than 100 religious leaders for a conference on hate crimes. During the meeting, a hate-crime expert told Nakagaki and the other leaders that the swastika is a universal symbol for evil. Nakagaki later asked him what he meant by the term “universal,” and told him that Buddhists, Hindus, and Jains use the swastika as a symbol for goodness. The expert was dumbfounded — he said that he was only familiar with the negative post-WWII Western conception of the symbol.
“Logically speaking it’s not right for the West to appropriate the symbol, defile it, and then claim that the East can’t use it,” Nakagaki told me."[51]
I hope you had a good laugh at the hate symbol "expert" who hated the swastika and was somehow unaware that Buddhists, Hindus, Jains, and others use it... Seriously, even edgy 12-year-olds who get caught drawing swastika graffiti will attempt to get out of trouble by claiming they're just drawing a Hindu or Buddhist symbol, yet someone who has the audacity to call themselves an "expert" isn't aware? Lol.
Also, to briefly rebut Heller's claim that the swastika is not used as a national symbol, it's literally used as a national symbol on the flag of the Guna people of Panama, which has been their flag from the early 1900s to the present. It's also been used as a symbol on various items associated with the Mongol Yuan dynasty and modern state of Mongolia. Tajikistan declared the swastika a national symbol in 2005 (which is after Heller published his book, to be fair, but prior to the interview in the article above). (And, technically...the National Socialist flag with a swastika was Germany's national flag.) This is to say nothing of all the cultures of the world (such as Indian, Chinese, various Native American and African cultures, etc.) who have such a long, continuous use of the swastika that it has been adapted to various local forms, designs, and meanings.
I don't think I need to rebut the absurd claim that it's a "weaponized symbol of racism", considering literally billions of people today use it as a sacred religious symbol or basic decoration... I guess in spite of the research for his book he didn't learn much about the swastika, or simply let his personal prejudices override everything he learned.
Yes, Neo-Nazi bigots attempt to lay claim to the swastika. Anyone with a sense of honor and justice won't let them do that without a fight. That's the whole point of our article series—to show how Neo-Nazis have no claim to this 8000-year-old symbol, and to show how narrow-minded and bizarre it is to just let them have it when it's literally used on every continent by billions of people.
***
"Wrapping Paper With Swastika Pattern Recalled by Walgreens
Wrapping paper that contains a swastika pattern in the trim is being recalled from stores nationwide after an outraged California shopper noticed it.
[...]
Cheryl Shapiro was shopping in a Walgreen's store on Dec. 4 in Northridge, California, when she stopped to look at some rolls of gift wrap. As the former interior designer gazed at them, her eyes widened at a blue and silver roll, noticing the swastikas engraved in it design.
[...]
"I said, 'I want it out of the store, but I wanted this to go national. I want this out of the stores nationally,'" Shapiro told ABC News.
[...]
The paper, adorned with two shades of blue and a silver shade, carries a Hallmark licensing tag. Hallmark did not return calls to ABC News for comment.
"How could the paper go through quality control and not be seen?" Shapiro asked."[72]
What a bigot! Wanting to remove wrapping paper with a swastika pattern familiar to over a billion people due to personal prejudice and ignorance? Did her mind immediately jump to the thought that some wrapping paper was part of a targeted conspiracy?
Hallmark advertising has branded itself as a wholesome and warm holiday company. I guess that good will doesn't extend to cultures which use the wànzì bù dàotóu, sayagata, and tumen nast pattern.
Hallmark issued an apology Wednesday and is pulling wrapping paper from store shelves following a social media uproar over a pattern that appears to contain swastikas.
"We sincerely apologize for this oversight and for any unintended offense," said Hallmark spokeswoman Linda Odell.
[...]
Odell said the wrapping paper design was based on a photograph of a vessel that dates from the 1870s. She said the paper in question was part of a "general holiday gift wrap display," but was grouped with the Hanukkah products at some stores because blue and silver are the colors of that particular Jewish holiday.
Shapiro told CNN affiliate KABC in Los Angeles that it was "very comforting" to learn that Hallmark had removed the paper from stores nationwide.
"I'm a small person with a small voice and I really didn't think I would get anywhere," she said.[73]
Maybe the store manager who put the wrapping paper there was trying to make a highly-cerebral reference to that old joke about Chinese restaurants being open on Christmas holidays...? Probably not.
***
And prejudice doesn't just extend to banning commercial items. It's extended to full-on barbarism.
This is the kind of thing that happens when we simply let people think the swastika is evil, rather than directly challenging their prejudice and misconceptions.
"Russian diplomat 'beat Mongolian rapper over Swastika outfit'
[...]
A top Mongolian rapper was beaten into a coma by a Russian diplomat after wearing a swastika on stage, his lawyer and family have claimed.
Amarmandakh Sukhbaatar was performing in the country's capital Ulan Bator when the alleged attack took place.
Russian news reports said he was hit over the head with a bottle and repeatedly kicked in the face.
[...]
The rapper had taken to the stage in a red deel - a Mongolian robe - embroidered with a swastika.
[...]
Mr Sukhbaatar displayed a book of traditional swastika patterns to emphasise that it is not a hate symbol in his country.
[...]
Amarmandakh Sukhbaatar - who is known as Amraa and is the lead singer of the band Khar Sarnai [Black Rose] - frequently wears the symbol on stage, and his songs often refer to his country's history, culture and identity."[67]
Index of Names and Meanings of the Swastika
If you speak one of these languages, and can confirm or elaborate on the meanings of the swastika, or speak another language from these countries which is not listed below, feel free to post on this article's discussion page.
https://aryan-anthropology.blogspot.com/2023/12/swastikas-in-east-asia-discussion-post.html
Language | Name for Swastika | Meaning of Swastika |
---|---|---|
Chinese | 卐 / 卍 (wàn); 卍字 / 卐字 (wànzì) | General word for swastika. Used as a religious symbol, sun symbol, auspicious motif, and decoration. Said to be named wàn by Empress Wu Zetian, as a homophone of 万 (wàn),[2] which means ten thousand, infinity, myriad.[2][3][13] The 卍字 (wànzì) form translates to "wàn character". |
Chinese | 万字不到头 (wànzì bù dàotóu)[74] | Geometric fret design with connected swastikas. Translates roughly to "endless wàn character". |
Japanese | 卍 / 卐; 万字 / まんじ (manji) | General word for swastika. Derived from Chinese word wànzì. (万 (man) also means ten thousand, myriad, in Japanese.) Manji is also used as a 2010s youth slang with various positive and neutral meanings, ranging from a word to say while posing for photos, an arm pose, a filler or emphasis word, cool, amazing, strong, high class, an expression of excitement, and other meanings.[75][76][49][50][58] |
Japanese | 紗綾形 / さやがた (sayagata) | Geometric fret design with connected swastikas. Said to be derived from the word "saaya", describing the Chinese pattern of this design.[77] |
Japanese | 鉤十字 / かぎじゅうじ (kagi jūji) | "Hooked cross". Various sources online claim it's an alternate word for manji/swastika,[45] but an internet image search shows it's mostly used to refer to the swastika in WWII German contexts (after the German word for swastika, "Hakenkreuz", which means hooked cross). |
Korean | 만자 (manja) | General word for swastika. Derived from the Chinese word wànzì.[78] (만 (man) can also mean ten thousand in Korean.) |
Mongolian | хас (khas[64]; xas[79]) | General word for swastika. Said to be derived from terminology referring to the Mongol state seal.[64] |
Mongolian | түмэн наст (tumen nast) | Geometric fret design with connected swastikas. Translates to ten thousand lives or eternity.[64] |
Tibetan | གཡུང་དྲུངེ་[80] / གཡུང་དྲུང་།[80] (yungdrung[81]; g.yung drung[1]) | Left-facing swastika as a Yungdrung Bon religious symbol.[81][1] "Numerous adherents, deities, sites, and temples are called swastika in Yungdrung Bon."[1] It is also used as a solar symbol and given various other meanings.[30][31] Also a general name for swastika in non-Bon contexts in Tibet?[80] |
Zhangzhung | drung mu[30] | Various meanings, which subsequently influenced the meanings of the swastika in Yungdrung Bon.[30][31][1] |
Footnotes
[1] John Vincent Bellezza. (October 2017). The Swastika, Stepped Shrine, Priest, Horned Eagle, and Wild Yak Rider — Prominent antecedents of Yungdrung Bon figurative and symbolic traditions in the rock art of Upper Tibet. Revue d’Etudes Tibétaines, no. 42, Octobre 2017, pp. 5-38.
https://himalaya.socanth.cam.ac.uk/collections/journals/ret/pdf/ret_42_01.pdf
[2] University of Southern California, Pacific Asia Museum. (c. 2007). Symbols. Rank and Style: Power Dressing in Imperial China. Exhibition.
https://pacificasiamuseum.usc.edu/exhibitions/past/exhibitions-at-usc-pam-prior-to-2011/rank-and-style-power-dressing-in-imperial-china/index-to-resources/symbols/
[3] Stack Exchange, Chinese Language. (April 26, 2019; last modified June 11, 2019). Usage of 万 (wàn): ten thousands or just a great number?
https://chinese.stackexchange.com/questions/33774/usage-of-%E4%B8%87-w%C3%A0n-ten-thousands-or-just-a-great-number
[4] Thomas Wilson. (1896; 2nd ed. 1898?). The Swastika, The Earliest Known Symbol, and Its Migrations; with Observations on the Migration of Certain Industries in Prehistoric Times. Report of the United States National Museum for 1894. Washington: Government Printing Office. Page 800.
https://archive.org/details/cu31924023008067/page/n51/mode/2up
[5] Ling-yu Hung. (2011). Pottery Production, Mortuary Practice, and Social Complexity in the Majiayao Culture, NW China (ca. 5300-4000 BP). Washington University in St. Louis, Electronic Theses and Dissertations. Paper 589.
https://openscholarship.wustl.edu/etd/589
https://www.academia.edu/7858432/Pottery_Production_Mortuary_Practice_and_Social_Complexity_in_the_Majiayao_Culture_NW_China_ca_5300_4000_BP_
[6] Hunan Provincal Museum. (2006). Divination by Astrological and Meteorological Phenomena (Tian Wen Qi Xiang Za Zhan). The Treasure on Silk and Inscribed Slips.
https://web.archive.org/web/20160704032000/http://www.hnmuseum.com/hnmuseum/eng/whatson/exhibition/mwd_2_5.jsp
[7] Chinese Cultural Relics, No. 1. (1979). Beijing: Wenwu Chubanshe (Cultural Relics Publishing House). [中国文物 第一号 文物出版社 北京 1979].
[8] "Ma Wang Tui po sh T'ien wen ch'i hsiang tsa chan' nei jung chien shu" and "Ma Wang Tui Han ts'ao po shu chung to hui hsing t'u." Beijing: Wenwu Chubanshe (Cultural Relics Publishing House). 1978, Volume 2, pp. 1-9. As cited in Sagan and Druyan, 1985, op. cit., page 186.
[9] Carl Sagan and Ann Druyan. (1985). Comet. New York: Random House. Page 186.
https://archive.org/details/comet0000saga/page/186/mode/2up
[10] Ibid., page 18.
[11]. Aryan Anthropology. (2021; 3rd ed. 2023). The World's Oldest Swastikas - Swastikas from the Neolithic, Chalcolithic, and Early Bronze Age.
https://aryan-anthropology.blogspot.com/p/worlds-oldest-swastikas.html
[12] Wikipedia. History of Chinese Buddhism. Page last modified October 5, 2023.
https://en.wikipedia.org/wiki/History_of_Chinese_Buddhism
[13] Thomas Wilson. (1896; 2nd ed. 1898?). The Swastika, The Earliest Known Symbol, and Its Migrations; with Observations on the Migration of Certain Industries in Prehistoric Times. Report of the United States National Museum for 1894. Washington: Government Printing Office. Pages 799-801, plates 1-8.
https://archive.org/details/cu31924023008067/page/n51/mode/2up
[14] Wikipedia. Church of the East in China. Page last modified November 3, 2023.
https://en.wikipedia.org/wiki/Church_of_the_East_in_China
[15] Wikipedia. Huichang persecution of Buddhism. Page last modified October 31, 2023.
https://en.wikipedia.org/wiki/Huichang_persecution_of_Buddhism
[16] "Teaching about the Silk Roads". (May 16, 2012). Uploaded by SlidesServe user nat. Slide 50.
https://www.slideserve.com/nat/teaching-about-the-silk-roads
https://image.slideserve.com/411454/nestorian-christianity-l.jpg
[17] Wikipedia. Red Swastika Society. Page last modified September 17, 2023.
https://en.wikipedia.org/wiki/Red_Swastika_Society
[18] Medals of Asia. (2022). Badges of Red Swastika Society/世界红卍字會章.
https://asiamedals.info/threads/badges-of-red-swastika-society.23627/
[19] Gary Ashkenazy. (c. 2009). Emergence of Chinese Charms. Subsection "Wu Zhu Coins. Wu Zhu Coins with Characters and Symbols". Primal Trek.
https://web.archive.org/web/20230802203530/https://primaltrek.com/charmcoins.html#swastika
[20] Gary Ashkenazy. (c. 2009). Chinese Coins. Subsection "Five Dynasties and Ten Kingdoms Period (907-960). Primal Trek.
https://web.archive.org/web/20231119083455/https://primaltrek.com/chinesecoins.html#chu_wu_zhu_swastika
[21] Gary Ashkenazy. (c. 2009). Liu Hai and the Three-Legged Toad. Primal Trek.
https://web.archive.org/web/20230903141915/https://primaltrek.com/liuhai.html#liu_hai_rev_1
[22] Owen Jones. (1867). Examples of Chinese Ornament Selected from Objects in the South Kensington Museum and Other Collections. London: S. and T. Gilbert. See Plate LXXXVI and LXXXII.
https://archive.org/details/examplesofchines00jone/page/n167/mode/2up
[23] William C. Prime. (1879). Pottery and Porcelain of all Times and Nations. New York: Harper and Brothers. Page 254.
https://archive.org/details/potteryporcelain187700prim/page/254/mode/2up
[24] Heinrich Schliemann. (1880). Ilios. Page 352.
https://archive.org/details/ilios00unkngoog/page/n378/mode/2up
[25] Wikipedia. Swastika. Subsection "East Asia". Page last modified November 9, 2023.
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